If you’re a songwriter, publisher, composer or just someone playing by the rules of licensing in the music industry, you have probably heard at least some “buzz” that goes something like, “There was some significant decision made by the U.S. Department of Justice that will impact performing rights organizations like ASCAP and BMI”. If you tried to glance at an article and found yourself scratching your head about what happened, you’re not alone. But this is stuff you’re going to want to understand. This literature will attempt to demystify exactly what’s happening, and explain the outrage shared by many. Continue reading
There are fortunes to be made in mobile app development–a fact that not only you most assuredly understand, but as do your friends, family, and all of Silicon Valley. The chilly truth of this and any other competitive market is that “good” ideas may not be enough, you need great ones. And, when you have a great idea, you’ll want to already be armed with an understanding of the three “big legal aspects”, which can be summed up roughly as: (1) your intellectual property; (2) your contracts; and, (3) your overall business strategy.
With a firm grasp on how these things impact your legal landscape, you’ll be well on your way to safeguard yourself from intellectual property theft, infringement, or lawsuits.
We need Copyright laws to protect creativity. Without Copyright laws, we would not only deprive artists, authors, and other creative types of a proper system of redress, but also discourage their creativity. Indeed, the simple notion that inventions and useful arts should be afforded protection has been memorialized in writing by our founders in the U.S. Constitution.
Today, however, due to advancements in technology and this trending motivation to exploit imperfect legislation, we are seeing a different kind of use for Copyright law that surely departs from the intentions of our founders and our legislature. We find ourselves in an era of Copyright trolling.
This is a guide to help first time songwriters and recording artists wrap their heads around the myriad issues they can encounter when striking out for the first time into the music industry.
I get this question a lot: “What’s the difference between a Trademark and a Copyright?” Usually, that’s followed by: “Ok, so do I need an attorney to Trademark or Copyright my IP?” Today, I’m going to address both questions in some detail, focusing primarily on licensing your intellectual property.
In Cariou v. Prince, 714 F.3d 694 (2nd Cir. 2013), the U.S. Court of Appeals for the Second Circuit recently looked at this issue and answered, “yes”. Well, at least they reversed the lower court’s judgment in part, vacated that judgment in part, and remanded it in part. I understand this is legalese, so for now let’s just say that the Second Circuit said “yes” even though that’s not entirely accurate.
Today we’re looking at the Cariou-Prince case, which has a lot of people in the art community quite upset. At the end of this article, you get to play lawyer so bare with me until then.